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Showing posts with label Sanskrit. Show all posts
Showing posts with label Sanskrit. Show all posts

Friday, March 1, 2019

Sanskrit

Unfortunately, the harsh reality is that Sanskrit is not in common use among many and hardly a handful can really claim to be masters at it because of its inherent strengths like very elaborate structure, exquisite syntax, excellent grammar and extraordinarily nuanced phonetics which are too complicated and as a result this inherent strengths by themselves became an impediment to its prevalence and use as a preferred language of ordinary communication.

Any language which skip the train to be adopted as a spoken language by both the common folks and majority of academics tends to decline in predominant usage.

Sanskrit language -Uniqueness

 Some aspect of Sanskrit language “One of the unique but mysterious features of the Sanskrit language is how many words can be used at three separate and distinct levels of thought. Even whole verses have this remarkable feature. It is one of the factors which have made translation into other languages so difficult. 

The difference presupposes three groups of people. First there is the literal meaning intended for the householder or worldly man, and a guide to better thought and action. The second is the meaning on a higher level intended for the mumukshi or hungry seeker for God. Here the same words take the reader from the mundane level to the higher level, and the implications. The third is the meaning intended for the soul who has attained or is nearly ready to attain liberation”. This literally leads to both correct, crystal clear meanings and also gives room to those who pander to chaotic and callous interpretations, more so in spiritual texts, 

I stress spiritual texts, not religious ones, wherein there are always many esoteric intrinsic meanings which unravel only to the enlightened souls and not necessarily to a linguistic scholars or academic thinkers or even intellectual giants.

Mike Magee 


 [don’t miss to see his page 

Wednesday, August 3, 2016

Sanskrit

Sanskrit

Incidentally one of the most vital aspects of Sanskrit that is over looked by many has been brought out well by my friend in his blog which I later on included in one of my blog posts.[1]
Meaning of "Hrudaya" from the Bruhadaranya Upanishad:
'Hru' means to bring. This involves bringing impure blood from the body to the heart.
'Da' means to give, involves giving pure blood to the body.
'Ya' means to set right all the activities and maintain the stability of the body. 

Every language has its own uniqueness and beauty basically because they were the first effective tools of documentation and communication.

So, every language and any language is a tool or a very effective means and its strength and substance is in its usage and utility as on date at present as a very effective user friendly tool otherwise it is consigned , however great and wonderful into an object of past glory like ancestral veneration with some nostalgic ethnocentric pride.

Unless and until such things are scrupulously repackaged in a way acceptable and usable by majority of the present generation of youth, they may end up nowhere or may exist somewhere, whether we wish it or not; whether it is right or wrong.

Ultimately, in more than one way the words used or in use in any language, or the language itself reflect the culture and activities, abilities, attitudes and aspiration of the people who have either used them or using them.
There is, therefore a major connectivity among these three words, language and culture.

[1] I would like to quote a wonderful and worthy observation from a wonderful blog maintained by my friend Mike Mageehttp://www.shivashakti.com/ [don’t miss to see his pagehttp://www.shivashakti.com/datta.htm] about some aspect of Sanskrit language “One of the unique but mysterious features of the Sanskrit language is how many words can be used at three separate and distinct levels of thought. Even whole verses have this remarkable feature. It is one of the factors which have made translation into other languages so difficult. The difference presupposes three groups of people. First there is the literal meaning intended for the householder or worldly man, and a guide to better thought and action. The second is the meaning on a higher level intended for the mumukshi or hungry seeker for God. Here the same words take the reader from the mundane level to the higher level, and the implications. The third is the meaning intended for the soul who has attained or is nearly ready to attain liberation”.


Sunday, November 23, 2014

Language ,meaning and context

And the Sanskrit Language debate continues with good inputs

Dear Kalyanaramanji,


Message from Shri.S.Kalayanaramanji in brackets here [I have posited mleccha (meluhha) as the spoken version of Samskrtam, a Prakrit, Proto-Indian lingua franca of 7th millennium BCE. Later chauvinists created the dravida maaya and austro-asiatic family of languages in contradistinct categories to Proto-Indo-European, forgetting the essential semantic foundations of languages. See my Indian Lexicon available online.http://www.hindunet.org/hindu_history/sarasvati/html/indlexmain.htm See Late V. Sundaram's review together with other views: https://sites.google.com/site/kalyan97/indus-script-cipher.Let us organize a forum to debate on Indian sprachbund (linguistic area).]
My response:-
I have not done detailed research work like you. So I grab every opportunity to go through any research work someone else has done and taste it as it is easier like savoring readymade noodles!

So, I have gone through both these works you have mentioned already as V. Sundaram mailed me long back and enjoyed reading them. I know it contains lot of useful and pertinent information. Of course, let us take away the hoax called Dravidian theory out of any discussion because it is waste of time and it is a good idea to engage in research as suggested by you. 

I have made it very clear that language evolution has too many complicated features and every language has too many facets that it does not allow any over simplified generalization that easily. So, the language debate will continue forever.


The factors contributing to the greatness of Sanskrit are too many to enlist but primarily they could be classified as:-

1.    Its ancientness,

2. Its great structure,

3. Its flamboyant syntax,

4. Its enormous literature [many yet unearthed],

5. Its multiple layers of meaning- its ability to express one thing on the surface while ensconcing something esoteric for the perceptive interpreter with a profound knowledge unraveling the multiple layers of meaning as Mike Magee mentions in http://www.shivashakti.com
[This fact I feel has not yet been fully explored especially from texts like Devi Bhagavatham]

6. Its geopolitical life- Most importantly the geopolitical influences which did a great damage to Sanskrit as excellently written by the great scholar Rajiv Malhotra  almost a decade ago in this link which I have been repeatedly posting in my facebook page 

7. Its socio- cultural and religious connotations [which in the case of Sanskrit cannot be denied at all [that’s why the geopolitical damages have been intentionally inflicted on it].

I also see several other reasons for this which are all the result of some inherent  malady in our  mentality [ I mean Hindus] approach to many subjects or perhaps, almost all subjects. I can classify them as:-

1. Failure to document and preserve for posterity. 
2. We have stressed and glorified reverence over research. 
3. Exaggeration over exact reporting. 
4. Deification over delving deeper into details of real merit [a] 
5. Lack of openness in certain areas [this may sound contradictory, for, other religions are far less open comparatively]. I mention this here because we have been rather indifferent to include esoteric studies made by clairvoyants like H.P. Blavatsky especially in text like ‘The Secret Doctrine’ where she resorts to great interpretations with gay abandon unhindered by any constraints of tradition and comes out with some really great revelations.

In fact Steven Pinker and David Crystal have been doing so much research for the past four decades with all the materials available to them and still they have not been able to arrive at very clear cut categorization with linguistic justification even for one language which is of a comparatively recent origin, namely English. Steven Pinker thrashes many established rules with great logic in his latest book ‘The Sense of style’ which may unsettle the traditional grammarians because the expressive possibilities of language often rely on the rules being bent and almost all great poets, novelists have done it as getting across human thoughts, creativity, imaginations etc get a precedence over sticking to rules. It is in the nature of creative genius never to stop the flow and flamboyance by sticking to prescribed rules.

For example Shakespeare’s ingenuity in coming up with newly coined words /expressions to communicate many things have been mind boggling and they have been brought out very well in the book ‘The works of Shakespeare, revised from the best authorities: with a memoir and essay on his genius by Barry Cornwall: also annotations and remarks by many writers, illustrations from designs by K. Meadows’.

These are all because language is more a medium for expression than a tomb of rules. That’s why nowadays we come across many good ideas, opinions and suggestions emanating from many in internet and social media which may be with poor grammar or no grammar, bad punctuation or no punctuation etc.

Even some of the great spiritual and philosophical truths [expressed as an experience by enlightened souls] become a bit difficult to understand as language sometimes becomes an inadequate tool to communicate the real communion of a soul.[b]


Regarding Dr. V.S. Ramachandran's views it only from neuro anatomical perspective and presents his views and from that angle I accept his views for the simple reason he goes through a very strenuous and methodical scientific research based on many case studies and he is precise when he uses the terminologies and never delivers anything as a sort of conclusion with axiomatic certitude and he adopts the same method here too with careful observation when he says "But there were multiple exaptations with fortuitous interactions which resulted in language." Besides more importantly most of our knowledge in the subject he handles is only theoretical and half baked. Probably one may fault him as one would with Freud's psychoanalysis saying his studies were based more on examples who were all his patients and not many on normal people.

Of course
"But this by-product view is highly unlikely, as language is too complex. Exaptation -- a re-use of an existing structure -- is undoubtedly a powerful force in evolution. But in all documented cases, complex structures are used for simple purposes, and not vice versa. A type of wading bird uses its wings as a sun shade: there is no evidence of any bird using what was originally a sunshade as wings. You can use a television as a paperweight, but you can't use a paperweight as a television. The complexity of language, and the interwoven adaptations of the mouth, larynx and brain make it unlikely that language developed as an accidental by-product." [Aitchison (1996), pp.74-75.]


Besides all these I keep on insisting about context to unravel the inherent strength and utility because words and expressions in any langue primarily derive their meaning from one- the things they refer to and two -what it means to the mind of the person who uses it. For, all said and done even for ordinary words referring to things there are many abstract aspects attached.

For example when I say Dosa it may appear to refer to the edible item but it could include its appealing taste, the irresistible aroma, the many other things associated with it like the shape, size, texture, components, side dishes, it could also mean I want to eat a dosa now or feel like having a Dosa now etc.

If even a word within a language depends on so many factors or reflects too many aspects, then we can imagine the role and significance of a language or languages in life.

For example you ask any Indian what is the meaning of Rangoli or Kolam, you will come up with many answers or those born in the last decade and confined to living only in modern marble floored or granite floored apartments may just blush. But for me that is one of the best forms of learning art and producing multiple designs with manipulation of dots and lines. I cannot deny others views nor can anyone put aside my observation.

Word meanings are not static but dynamic that’s why connotations have in many cases totally erased the original denotation.

The meaning of meaning by itself is a debatable issue and meaning making sense is more contextual than anything else. http://www.anti-dialectics.co.uk/page_13_03.htm#Meaning-Of-Meaning


That’s why human vocabulary constantly gets expanded to express more and more feelings, emotions, new technologies, inventions, imaginations, concepts, discovery of or creation of new substances, space, time, causation etc like as Steven Pinker says, ELBONICS to refer to action of two people maneuvering for one armrest in a movie theater or SHOEBURYNESS to refer to the vague uncomfortable feeling you get when sitting on a seat which is still warm from someone else’s bottom.

a] [For example all great composers starting from Appar, to Annamacharya to Saint Tyagaraja everyone's biography has an episode where some deity appeared to their parents just the day before they were born and declaring that they would get a saint as a child, everyone of them were despised by the king or some family member and the next day the king had stomach ache and after they went and sang and pardoned the king the stomach ache vanished etc. All of them were painted as very poor  whereas what ought to have been given importance or stressed and studied in detail after putting in proper perspective that they all were normal human beings who had normal family life with children etc but they had extraordinary  genius which produced some of the unmatched, unthinkable and unrepeatable feats like the number of ragas that Saint Tyagaraja created with such subtle nuances making an unbelievable appropriate blend of stresses, pauses, intervals, vibrations etc delivering  one of the greatest  architectural designs of sound coupled with thousands of words of alliteration that too mostly on a single subject of Rama's life. It is easier to produce vast literature on many subjects. The nuances are so subtle that unless they are exact it can make a person slip into a different raga. I can only think of only one analogy that of canine sense of smell [ it is said a dog can differentiate between some 1. 2 million  different smells] so Saint Tyagaraja in way enhanced the auditory sense of human beings as whole through so many ragas. One of the greatest contribution to the world of music. Instead of studying this, we were propagating his cruel brother, his poverty etc

In fact he made the optimum utilization of the very musical language Telugu because of its excess of vowel sounds. I even use to joke to my Telugu friends on Ugadhi as 'Haapilu Newoo yearlu'.]


[b] "One of the best-known facts about mystics is that they feel that language is inadequate, or even wholly useless, as a means of communicating their experiences or their insights to others. They say that what they experience is unutterable or ineffable. They use language but then declare that the words they have used do not say what they want to say, and that all words as such are inherently incapable of doing so.

"According to the Mandukya Upanishad the unitary consciousness is 'beyond all expression'. According to Plotinus, 'the vision baffles telling.' In a passage which I shall quote more at length later, Eckhart says that 'the prophets walking in the light...sometimes were moved to...speak of things they know...thinking to teach us to know God. Whereupon they would fall dumb, becoming tongue-tied.... The mystery they found there was ineffable.'

"And modern Europeans and Americans who report having had mystical experiences feel the difficulty just as much as do the ancient or classical mystics. R. M. Bucke says that his experience was 'impossible to describe'.Tennyson says that his was 'utterly beyond words'. J. A. Symonds states that he 'was not able to describe his experience to himself' and that he 'could not find words to render it intelligible'. Arthur Koestler says of his experience that 'it was meaningful though not in verbal terms' and of his own [p.278] attempts to describe it that 'to communicate what is incommunicable by its nature one must somehow put it into words, and so one moves in a vicious circle.' Probably hundreds of similar statements could be collected from all over the world." [W T Stace, Mysticism and Philosophy, taken from here. Quotation marks altered to conform to the conventions adopted at this site. Links added.]





Sunday, September 1, 2013

Sanskrit

Just marvelous observation. It is really very unfortunate that such a rich language had to be sidelined for the rest. The most unfortunate turn of evolutionary aberration either due social or psychological or cultural or political or linguistic factors or a combination of all.

RSS publication wing has come out with a book giving details of Sanskrit roots of many English words.

what I read recently when I was reading a write up of Raghu-ketu research paper from which I quote " I always say that the Japanese Teacher Ono San has taught me a lesson which says that whenever you have a problem, Go back to basics. Think logically.

Maha Kali adorns 51 skulls as Garland . These skulls are alphabet letters of Sanskrit Varnamala numbering 51. Everything in this universe is devoured by Kalika including Mahakaal but she does not do so for Varnas. She has given special place of pride on her body as a Garland of Letters.
All letters are Mantras in themselves and are careers of Thought, Meaning and Nada which are nothing but icchashakti, Gyan shakti and Kriya shakti.

All creations in visual and Mass form arise out of these three shaktis.
The tantras say that Varnas can never be destroyed. They are shashwat or permanent. Knowledge has been passed on, is being passed on and will be passed on from generation to generations in this universe or in any universe at any given point of time and space by Nada/Dhvani using varna only.

These varnas are divided among twelve rasis and have special peetha or seat in our body.Our body is small universe.

Each Varna is coiled around by a coil of Kundalini Shakti. Each coil surrounding each varna is called KUNDALI.

(Maha Shakti Kundalini Bisa tantu taniyasi)

So varnas have to be studied in astrological context with Rashi.

So what is a RASHI?
Rashi stands for Ra=Rahu
Shi=(Shikhi) =Ketu.

In this Brahmanda, or any other Brahmanda at any time , the power of Maha Kali lies in a RASHI.

All letters or Varnas are strung to her through NADA SWARA which sounds like HUM. She wears RASHI MALA which is nothing but powerful attraction power which holds all Varnas together.This is the super power,
Power of Attraction/Krishna/Super Magnetism/Cosmic or whatever you want to call it as. This power works in 4 directions. North/south East-West.
Of this, North south is extremely powerful power.
(Hum Hum Hum Kaar Rupaye)
To understand this distribution of power which lies in Varnamala, we need to look at Rashi kundali as follows.

The beginning is from
Muladhara which is governed by Vrischika Rashi.. 8th house.Muladhara is the place where,KUNDALINI lies in Sushuptavastha in Vrischika Rasi and when it is Jagrita or Awake, the Serpent Power uncoils and her journey starts from Nabhi to Brahmarandhra.

So we should start from 7th house of a Kundali. (Horoscope)

SA MEANS Saptama Stri sthana 7th house...Nabhi
RI MEANS Ripu sthana the 6th house.
GA MEANS Garbha sthana , the 5th house...Udara
MA MEANS Matrusthana the 4th house.......Hridaya
PA MEANS Parakrama sthana the 3rd house..Kantha
DHA MEANS Dhana sthana the 2nd house......Mukha
NI MEANS Nija , self house the First house. Ajna Chakra
SA of II octave MEANS 12TH HOUSE the SAIYA SUKHA STHANA house
where Rahu devours Ketu again....Brahmarandhra. " unquote

again i would like to quote another excellent source "I would like to quote a wonderful and worthy observation from a wonderful blog maintained by my friend Mike Magee http://www.shivashakti.com/ [don’t miss to see his pagehttp://www.shivashakti.com/datta.htm] about some aspect of Sanskrit language “One of the unique but mysterious features of the Sanskrit language is how many words can be used at three separate and distinct levels of thought. Even whole verses have this remarkable feature. It is one of the factors which have made translation into other languages so difficult. The difference presupposes three groups of people. First there is the literal meaning intended for the householder or worldly man, and a guide to better thought and action. The second is the meaning on a higher level intended for the mumukshi or hungry seeker for God. Here the same words take the reader from the mundane level to the higher level, and the implications. The third is the meaning intended for the soul who has attained or is nearly ready to attain liberation”. you will find this in my blog post link given below which incidentally has also been trending excellently in speaking tree site http://contentwriteups.blogspot.in/2011/05/dear-all-i-was-asked-write-about-guru.html

http://www.openthemagazine.com/article/art-culture/a-historical-sense


A Historical Sense
What Sanskrit has meant to me


Aatish Taseer

17 August 2013



I had come to Sanskrit in search of roots, but I had not expected to have that need met so directly. I had not expected my wish for a ‘historical sense’ to be answered with linguistic roots.

Aged twenty-seven or so, when I first began to study Sanskrit as a private student at Oxford, I knew nothing about the shared origins of Indo-European languages.Not only did I not know the example given in my textbook—that the Sanskrit ãrya, the Avestan airya, from which we have the modern name Iran, and the Gaelic Eire, all the way on the Western rim of the Indo-European belt, were all probably cognate—I don’t even think I knew that word, ‘cognate’. It means ‘born together’: co + natus. And natus from gnascor is cognate with the Sanskrit root jan from where we have janma and the Ancient Greek gennaõ, ‘to beget’. Genesis, too.

And in those early days of learning Sanskrit, the shared genesis of these languages of a common source, spoken somewhere on the Pontic steppe in the third millennium BC, a source which had decayed and of which no direct record remains, absorbed me completely. Well, almost completely. The grammar was spectacularly difficult and, in that first year, it just kept mushrooming—besides three genders, three numbers and eight cases for every noun, there were several classes of verbs, in both an active and middle voice, each with three numbers and three persons, so that in just the present system, with its moods and the imperfect, I was obliged to memorise 72 terminations for a single verb alone.

And still I found time to marvel at how the Sanskrit vid, from where we have vidiã, was related to the Latinvidere—to see—from where, in turn, we have such words as video and vision; veda too, of course, for as Calasso writes in Ka, the ancient seers, contrary to common conception, did not hear the Vedas, they saw them! Or that kãla, Time and Death, should be derived from the Sanskrit kãl, ‘to calculate or enumerate’—related to the Latin kalendarium, ‘account book’, the English calendar—imparting, it seemed to me, onto that word the suggestive notion that at the end of all our calculations comes Death. Almost as if kãla did not simply mean Time, but had built into it the idea of its passage, the count of days, as it were.

These thrills were so self-evident that I did not stop to ask what lay behind them. But one day, a few months into my second term, the question was put to me by a sympathetic listener. An old editor at Penguin. I was in London assailing him over dinner, as I now am you, with my joy at having discovered these old threads, when he stopped me with: But what is this excitement? What is the excitement of discovering these old roots?

An oddly meta question, it should be said, oddly self- referential, and worthy of old India. For few ancient cultures were as concerned with the how and why of knowing as ancient India. And what my editor was saying was, you have the desire to know, fine—you have jijñãsa, desiderative of jña: ‘to know’—but what is it made of? What is this hunting about for linguistic roots? What comfort does this knowledge give? And, what, as an extension, can it tell us about our need for roots, more generally? It was that most basic of philosophical enquiries: why do we want to know the things we want to know?

I grew up in late 20th century India, in a deracinated household. I use that word keeping in mind that racine is 'root' in French, and that is what we were: people whose roots had either been severed or could no longer be reached. A cultural and linguistic break had occurred, and between my grandparents’ and my parents’ generation, there lay an imporous layer of English education that prevented both my father in Pakistan, and my mother, in India,[Tavleen Singh] from being able to reach their roots. What the brilliant Sri Lankan art critic, Ananda Kentish Coomaraswamy, had seen happening around him already in his time had happened to us (and is, I suppose, happening today all over India).

‘It is hard to realize,’ Coomaraswamy writes in The Dance of Shiva, ‘how completely the continuity of Indian life has been severed. A single generation of English education suffices to break the threads of tradition and to create a nondescript and superficial being deprived of all roots—a sort of intellectual pariah who does not belong to the East or the West.’

This is an accurate description of what we were. And what it meant for me, personally, as an Indian writer getting started with a writing career in India, was that the literary past of India was closed to me. The Sanskrit commentator, Mallinatha, working in 14th century Andhra, had with a casual ‘iti-Dandin: as Dandin says’, been able to go back seven or eight hundred years into his literary past. I could go back no further than fifty or sixty. The work of writers who had come before me, who had lived and worked in the places where I lived and worked today, was beyond reach. Their ideas of beauty; their feeling for the natural world; their notion of what it meant to be a writer, and what literature was—all this, and much more, were closed to me. And, as I will explain later, this was not simply for linguistic reasons.

I was—and I have TS Eliot in mind as I write this—a writer without a historical sense. Eliot who, in Tradition and the Individual Talent, describes the ‘historical sense’ as: a perception, not only of the pastness of the past, but of its presence; the historical sense, he feels, compels a man to write not merely with his own generation in his bones, but that [for him]—I’m paraphrasing now—the whole literature of Europe from Homer onwards to that of his own country has ‘a simultaneous existence’.

My problem was that I had next to nothing in my bones. Nothing but a handful of English novels, some Indian writing in English, and a few verses of Urdu poetry. That was all. And it was too little; it left the bones weak; I had no way to thread the world together.

The place I grew up in was not just culturally denuded, but—and this is to be expected, for we can only value what we have the means to assess—it held its past in contempt. Urdu was given some token respect—though no one really bothered to learn it—but Sanskrit was actively mocked and despised. It was as if the very sound of the language had become debased. People recoiled from names that were too Sanskritic, dismissing them as lower class: ‘Narindar,’ someone might say, ‘what a driver’s name!’ They preferred Armaan and Zhyra and Alaaya. The Sanskrit teacher in most elite schools was a figure of fun. And people took great joy at having come out of a school, such as The Doon School, say, without having learnt any more Sanskrit than a derisive little rhyme about flatulence.

What was even more dismaying was that very few people in this world regarded Sanskrit as a language of literature. In fact, Sanskrit, having fought so hard historically to escape its liturgical function and become a language of literature and statecraft, had in the India I grew up been confined once again to liturgy. And an upper-class lady, on hearing that you were learning Sanskrit, would think nothing of saying: ‘Oh, I hate all that chanting-shanting.’

Sanskrit was déclassé; it was a source of embarrassment; its position in our English-speaking world reminded me of the VS Naipaul story of the boy among the mighty Mayan ruins of Belize. ‘In the shadow of one such ruin,’ Naipaul writes in The Enigma of Arrival, ‘a Mayan boy (whatever his private emotions) giggled when I tried to talk to him about the monument. He giggled and covered his mouth; he seemed to be embarrassed. He was like a person asking to be forgiven for the absurdities of long ago…’

To have Sanskrit in India was to know an equal measure of joy and distress. On the one hand, the language was all around me and things that had once seemed closed and inert came literally to be full of meaning. ‘Narindar’ might have sounded downmarket to the people I had grown up with, but it could no longer be that way for me. Not when I knew that beyond its simple meaning as ‘Lord of Men’, nara—cognate with the Latin nero and the Greek anér—was one of our oldest words for ‘man’. Some might turn their nose up at a name like Aparna, say, preferring a Kaireen or an Alaaya, but not me. Not when it was clear that parnawas ‘leaf’, cognate with the English ‘fern’, and aparna, which meant ‘leafless’, was a name Kalid ¯a sa had himself given Paravati: ‘Because she rejected, gracious in speech though she was, even the high level of asceticism that is living only on leaves falling from trees of their own accord, those who know the past call her Aparna, the Leafless Lady.’

My little knowledge of Sanskrit made the walls speak and nothing was the same again. Words and names that had once seemed whole and complete—such as Anuja and Ksitaja—broke into their elements. I saw them for what they were: upapada compounds, which formed the most playful and, at times, playfully profound compounds. Anuja, because it meant ‘born after’, or ‘later’, was a name often given to the youngest son of a family. And ksitaja, which meant ‘born of the earth’—the ja being a contraction of jan, that ancient thread for birthing, begetting and generating—could be applied equally to an insect and a worm as well as the horizon, for they were both earth-born. And dvi|ja, twice born, could mean a Brahmin, for he is born, and then born again when he is initiated into the rites of his caste; it could mean ‘a bird’, for it is born once when it is conceived and then again from an egg; but it could also mean ‘a tooth’, for teeth, it was plain to see, had two lives too.

So, yes: once word and meaning were reunited, a lot that had seemed ordinary, under the influence of the world I grew up in, came literally to acquire new meaning. Nor did the knowledge of these things seem trifling to me, not simply a matter of curiosity, not just pretty baubles. Because the way a culture arrived at its words, the way it endowed sabda with artha, gave you a picture of its values, of its belief system, of the things it held sacred.

Consider, for instance, sarıra or ‘body’. One of its possible derivations is from √srr, which means ‘to break’ or ‘destroy’, so that sarıra is nothing but ‘that which is easily destroyed or dissolved.’ And how could one know that without forming a sense of the culture in which that word emerged and how it regarded the body? The body, which, as any student of John Locke will tell you (1), had so different a significance in other cultures.

I thought it no less interesting to observe the little jumps of meaning a root made as it travelled over the Indo-European belt. Take vertere, ‘to turn’, from the old Latin uortere: we have it in Sanskrit too: vrt, vartate: ‘to turn, turn round, revolve, roll; to be, to live, to exist, to abide and dwell’. It is related to the German werden—‘to become’. From where we have the Old Englishwyrd—‘fate, destiny’; but also werde: ‘death’. That extra layer of meaning restored, it was impossible ever to think of Shakespeare’s ‘weird sisters’ from Macbethin the same way again.

What Sanskrit did for me was that it laid bare the deep tissue of language. The experience was akin to being able to see beneath the thick encroachment of slum and shanty, the preserved remains of a grander city, a place of gridded streets and sophisticated sewage systems, of magnificent civic architecture. But to go one step further with the metaphor of the ruined city, it was also like seeing Trajan’s forum as spolia on people’s houses. The language was there, but it was unthought-of, unregarded, hardly visible to the people living among it: there as remains, and little more.There are few places in the world where the past continues into the present as seamlessly as it does in India, and where people are so unaware of it.

Neither is the expectation of such an awareness an imposition of the present on the past. Nor is it an import from elsewhere; not—to use the Academic’s word—etic, but deeply emic to India. For it is safe to say that no ancient culture thought harder about language than India, no culture had better means to assess it. Nothing in old India went unanalysed; no part of speech was just a part of life, no word just slipped into usage, and could not be accounted for. This was the land of grammar and grammarians. And, if today, in that same country, men were without grammar, without means to assess language, it spoke of a decay that could be measured against the standards of India’s own past.

That decay—growing up with as little as I had—was what lay behind my need for roots and the keenness of my excitement at discovering them. It was the excitement, at a time when my cultural life felt thin and fragmentary, of glimpsing an underlying wholeness, a dream of unity, that we human beings never quite seem able to let go of. But there was something else.In India, where history had heaped confusion upon confusion, where everything was shoddy and haphazard and unplanned, the structure of Sanskrit, with its exquisite planning, was proof that it had not always been that way. It was like a little molecule of the Indian genius, intact, and saved in amber, for a country from which the memory of genius had departed.

1 ‘Though the Earth, and all inferior Creatures be common to all Men, yet every Man has a Property in his own Person. This no Body has any Right to but himself. The Labour of his Body, and the Work of his Hands, we may say, are properly his. Whatsoever then he removes out of the State of Nature hath provided, and left in, he hath mixed his Labour with, and joyned to it something that is his own, and thereby makes it his Property.’

Saturday, June 8, 2013

Sanskrit: Was it the Original Language? By Stephen Knapp

Sanskrit: Was it the Original Language?
By Stephen Knapp

         There has always been a controversy regarding whether Sanskrit was the original language, as some feel, or whether there was what has been called a Proto-Indo-European (PIE)  language that was the start of all other languages. So let us take a look at this.
         First of all let us face the fact that Sanskrit is the language that composes what has been recognized as the earliest texts on the planet, such as the Rig Veda and the other Vedas. Secondly, it is also known that it was an oral tradition long before it became a written language. This was because the great sage Vysadeva, who compiled the main portions of the Vedic literature, could foretell that the memory of mankind would soon be greatly reduced, compared to what it had been. Thirdly, the sophistication of the language, its grammar, syntax, and so on, was highly developed. So it had to have been in existence for some time, long before most other languages, or even any other language that appeared later on, all of which were far less developed than Sanskrit. So, how could there have been a Proto-Indo-European language that was the basis of forming Sanskrit that had to have been almost as sophisticated as Sanskrit that is said to no longer exist?
 

SANSKRIT AND THE PROTO-INDO-EUROPEAN LANGUAGE ISSUE
 
         So how did the idea come about that there must be a Proto-Indo-European language that was the origin of Sanskrit, Greek and Latin? 
         It all started when certain researchers started to see similarities between the main languages, such as Sanskrit, Greek and Latin. Presently, there are 439 languages and dialects, of which half is considered belonging to the Indo-Aryan subbranch. Twelve languages and their derivatives are considered to be Indo-European, including Spanish, English, Portuguese, Russian, German, French, Italian, Hindi, Bengali, Punjabi, Marathi, and Urdu. And most of the languages in India are known derivatives of Sanskrit.
         It was as early as 1583 when Thomas Stephens, an English Jesuit missionary in Goa started to recognize similarities between Sanskrit, Greek and Latin. Then in 1585, Filippo Sassetti, an Italian merchant who had traveled to India, also wrote about various similarities. Next was the Dutch scholar Marcus Zuerius van Boxhorn, in 1647, who noted the similarities among these languages, including Dutch, Albanian, Greek, Latin, Persian, Slavic, Celtic and Baltic languages. He was the one who first proposed that they must all derive from a common source language, which he called Scythian. Then in the late 1760s Gaston Coeurdoux made observations of the same type, with a study of Sanskrit, Latin and Greek. There were others who had done the same thing. However, none of these men aroused much notice in their research.
         It was in 1786 when Sir William Jones started giving talks about the similarities between Sanskrit, Greek and Latin, along with Celtic, Gothic and Persian languages, and suggested that there was a relationship between them. That is when people started to take notice.
         It was in 1813 when Thomas Young first coined the phrase “Indo-European” to describe this relationship and family of languages, which then became the standard “scientific” term. Then it was Franz Bopp who produced a study of these languages, called Comparative Grammar between 1833 and 1852, that seemed to verify this relational theory. This was the beginning of the Indo-European studies as part of an academic curriculum. This went further to August Schleicher’s Compendium in 1861, and then Karl Brugmann’s Grundriss in the 1880s. From there it went further into what can be called modern Indo-European studies.
         We could explain how various languages are considered part of a family or group and subgroups, or branches and subbranches, through genetic identification, or what can be called shared innovations, or their structure and phonology, or what is called their evolutionary history. But we won’t indulge in all this analysis.
         In any case, we now have the “Indo-European Family” of languages, which is a study of the commonalities of numerous languages, moreover than the attempt to try to understand what was the original or “Proto-Indo-European” language, or the seed from which all other languages began, starting with Sanskrit, Greek and Latin. So this is the difference when you begin talking about Indo-European language: Are you talking about the “family,” in which case you could certainly be talking about many languages, or are you talking about what could be the original, or at least the search for the original seed language of all others? In the latter case, such a language still has not yet been identified, and maybe never will.
 

WHERE WAS THE ORIGIN OF THE PROTO-INDO-EUROPEAN LANGUAGE

         So if there was to be a Proto-Indo-European (PIE) language, which means the seed language of all others, it had to come from somewhere. So where and what people developed it, and how did it spread?
         It was speculated that the original Indo-European people go back to 5000 BCE. These were later called the Kurgan people, who lived northwest of the Caucasus and north of the Caspian Sea. These were considered to be semi-nomadic people. The word kurgan actually means “barrow” or “artificial mound” in Turkic and Russian. The Kurgan hypothesis was first formulated in the 1950s by Marija Gimbutas. In any case, it was figured that these people abandoned their homeland and started to migrate in different directions, taking their language with them, some arriving in Greece by 2000 BCE, and others to India in 1500 BCE. From there, the languages started to morph into varieties into what we find today as Greek, Sanskrit and Latin. This is known as the Kurgan hypothesis, which basically means it is all speculation, or more diplomatically called a “model.”
         Another theory is that the Proto-Indo-European language was spoken by a people who lived about 6000 years ago in the vicinity of the Pontic Steppe, north of the Black Sea and east of the Caspian, near where the Scythians were supposed to have lived. It is then suggested that this PIE language faded away before there was the invention of a writing system, and then the Indo-Europeans expanded from the homeland, thus causing the evolution of the language into various dialects and incomprehensible daughter languages. These languages also evolved, giving birth to each of their own family of languages.
         We also have the Anatolian Hypothesis. This theory, proposed by archaeologist Colin Renfrew at Cambridge University in 1987, holds that the Indo-European languages were spread not by marauding horsemen from the Caucuses but with the expansion of agriculture from Anatolia between 8000 and 9500 years ago. Radiocarbon analysis of the earliest Neolithic sites across Europe provides a fairly detailed chronology of agricultural dispersal. This archaeological evidence indicates that agriculture spread from Anatolia, arriving in Greece at some time during the seventh millennium BCE and reaching as far as the British Isles by 5500 years ago.
         Renfrew maintains that the linguistic argument for the Kurgan theory is based on only limited evidence for a few enigmatic early Indo-European word forms. He points out that parallel semantic shifts or widespread borrowing can produce similar word forms across different languages without requiring that an ancestral term was present in a proto-language. Renfrew also challenges the idea that Kurgan social structure and technology was sufficiently advanced to allow them to conquer whole continents in a time when even small cities did not exist. Far more credible, he argues, is that Proto-Indo-Europeans spread with the expansion of agriculture – a scenario that is also thought to have occurred across the Pacific, Southeast Asia and sub-Saharan Africa.
         So, as we can see, most of these ideas are but speculations that remain ever-changing, or, to put it plainly, inconclusive. Nonetheless, some people think that the original language has indeed already been identified, and has been around for thousands of years, if not longer, which is Sanskrit, which is the oldest of all languages and from which all other languages are but derivatives. Whatever factors for a Proto-Indo-European language the scholars are looking for can be found in Sanskrit. No other language has been identified to be older, or more influential in terms of texts written in Sanskrit, or how many other languages can be found that relate to it. So let us take a closer look at this.
 

THE SIGNIFICANCE OF SANSKRIT
 
         As we can see, the above theories are all hypothesis, or speculations which have not and cannot decisively identify who were the original bearers of the primeval language, or what that language really was. Even if these are considered the general consensus in academia, these theories are still too full of discrepancies to be taken seriously when analyzed in detail.
         However, we can offer other evidence that should be considered. Of course, we acknowledge the idea that there had to have been many kinds of minor languages scattered across the globe, but we also propose the idea that there was one major sophisticated language that had great influence around the world, and which spread in various forms throughout many civilizations, and which is the prime factor for the similarities that we find in many languages today.
         The problem with PIE is that they feel it was never a written language but only the seed for those languages that later did become written languages. So there is no and never will be any direct evidence for it. But they try to find words that can be identified as remnants of the Proto-Indo-European language. This is where all of the speculations begin.
         So, why is this important? Remember, it is a biased interpretation of this Proto-Indo-European (PIE) language issue that has helped continue the idea of the Aryan Invasion Theory (AIT). This is the idea, another hypothesis, that holds the premise that the Vedic Aryans came out of the Caucasus Mountain area only after they had already developed their language, writing, and the Vedic texts, thus bringing with them the Vedic culture and the early Vedas to the Indus-Sarasvati region of India. This promotes the view that India was not the homeland of the real Vedic culture, and that it was brought to them by outsiders, who some call invaders, who were more advanced. This has perpetuated a false history of India and its Vedic traditions for many years, ever since Max Muller came up with this theory, and this is what must be corrected. That is why there is also a need to correct this Proto-Indo-European issue. [For more information on the Aryan Invasion Theory, please see my article and Ebook entitled: The Aryan Invasion Theory: The Final Nail in its Coffin on my website at www.stephen-knapp.com.]
 

THE ORIGINAL DEVELOPMENTS OF WRITING AND LANGUAGE IN INDIA
 
         There has always been questions about where the original script came from, and how did it originate. However, in this regard, famous archeologist and specialist in scripts, A. B. Walawalkar and scribe L. S. Wakankar have, through their research proved that the Indian script originated in India itself and said that on the basis of phonetics, the tradition of writing was present even in the Vedic times. 1
         The name Sanskrit actually refers to a language brought to formal perfection, aside from the common languages at the time, like Prakrit. The form of Sanskrit that has been used for the last 2500 years or more is commonly known as Classical Sanskrit, which had been established by the ancient grammarians, and most scholars accept that it was finalized by Panini in the 5th century BCE.  That is what became the standard for correct Sanskrit with such comprehensive authority that little has changed it down to the present day. However, even Panini mentions at least ten grammarians who preceded him. So he can not be the earliest of grammarians as some propose, which indicates that Sanskrit had been in use many years before him.
         Kamlesh Kapur provides further insight into Sanskrit writing in her book Portraits of a Nation: History of India: “Sanskrit language is composed of 50 sounds and letters in its alphabet. It has 11,000 roots from which to make words. The English language has 500,000 words. Sanskrit language has 1700 Dhatu (root verbs), 80 Upasargas (suffixes, prefixes), and 20 Pratyaya (declensions). It is believed that Sanskrit has roughly 74,000,000 words. In fact, using these rules and by adding prefixes and suffixes, Sanskrit can provide an infinite number of words whose meaning is completely determined by the grammatical process.
         “Several languages spoken and written today in India have been derivatives of Sanskrit. Bengali, Gurumukhi, Gujarati, Marathi, Oriya and Hindi have been derived from Sanskrit. Languages of the South have been influenced by Sanskrit. Recently, Washoe County of Nevada (USA) proclaimed January 12, 2008 as Sanskrit Day. The proclamation says that, “As Hinduism expands in the West, it is important that to understand Hinduism, one should have a working knowledge of Sanskrit.” 2
         However, India also has a strong tradition in its Vedic culture that describes the possible or at least customary origin of its script. There are a few examples of this. One is that the text known as Yaju Taittariya Samhita tells the story of how the devas faced the problem that since sound vanishes once the words are spoken, what method could be applied to give it shape? So, they went to Indra and said, “Vachanvya kurvit,” which means “grant sound a shape.” Then Indra said that he would have to take the help of Vayu, the wind god. The other gods agreed and Indra gave a shape to sound in the form of the knowledge of writing or script. This is famous as Indra vayavya vyaakaran, or the grammar pertaining to the aerial Indra. 3
         Another example gives credit to Lord Shiva. This one describes that with the death of various sages, particular branches of Vedic knowledge started disappearing. So, with a prayer to save them, great sages like Sanaka went to Shiva in the south Indian place of Chidambaram. Hearing their prayers, Lord Shiva strummed his damru instrument nine and then five more times during the interval of his cosmic dance. Thus, fourteen sources of sound were born. These came to be known as the Maheshwar Sutra. 4
         Another story from the Vedic tradition is that when the great Vedavyas was thinking of writing the Mahabharata, he faced the problem of who would write it. To solve this problem he thought of Ganesh. When Ganesh came, Vedavyas said, “You be the writer of the Bharat Granth.” Ganesh agreed only if Vedavyas would not pause or stop, and Vedavyas agreed as long as Ganesh would not write anything unless he understood the meaning of everything that Vedavyas dictated. This was supposed to have happened shortly after the beginning of the age of Kali-yuga began, which is accepted to be in the year 3102 BCE. So there had to have been the knowledge of the Sanskrit script at that time, as well as the oral tradition that went back many thousands of years before this.
         Nonetheless, the archeologist Balawalkarji studied the scripts of the ancient coins and proved that it was mainly the Maheshwari script which was the Vedic script. According to him, it was only later that the Brahmi and the Nagari script developed from this. This is important as some people propose that Sanskrit came out of the preceding Brahmi script, which is not the case.
 

SANSKRIT LANGUAGE
 
         No doubt one of the greatest contributions from Vedic culture is the script and language of Sanskrit. Sanskrit is the language of ancient India and of Vedic philosophy and its civilization. It is a perfect language, which also invokes the spiritual vibration of which it speaks. It is a refined language, but also most self-protective in the way it manages to maintain the original meaning that it presents, as long as a person properly understands Sanskrit grammar and syntax. In other words, when translated according to the rules of the Sanskrit language, you cannot take the interpretation far outside its firsthand intention without giving up all of the rules of Sanskrit.
         A. L. Basham, former professor of Asian Civilization in the Australian national University, Canberra, writes in his book The Wonder That Was India (page 390): “One of ancient India’s greatest achievements is her remarkable alphabet, commencing with the vowels and followed by the consonants, all classified very scientifically according to their mode of production, in sharp contrast to the haphazard and inadequate Roman alphabet, which has developed organically for three millennia. It was only on the discovery of Sanskrit by the West that a science of phonetics arose in Europe.”
         Basham goes on to say (page 509): “It will be seen that this alphabet is methodical and scientific, its elements classified first into vowels and consonants, and then, within each section, according to the manner in which the sound is formed. The gutturals are formed by the construction of the throat at the back of the tongue, the palatals by pressing the tongue flat against the palate, the retro-flexes by turning up the tip of the tongue to touch the hard palate, the dentals by touching the upper teeth with the tongue, and the labials by pursuing the lips.”
         Furthermore, Sanskrit or remnants of it can be found in so many other languages around the world, that a person can begin to say that it may have been the original language that the world first new. In almost all languages, like Greek, French, English, Arabic, Urdu, Persian, Indian, Mayan, Slavic, Russian, and the Sanskrit derivatives like Hindi, Tamil, Telugu, or Malayalam, Sanskrit words are found everywhere. Either people speaking Sanskrit carried them all over the world, or Sanskrit was the one world or main language, traces of which linger in all languages around the planet.
         This is one of the reasons, however, why some people have felt that Sanskrit was one of several ancient languages that descended from another common ancestor. One of those people was the English poet, Jurist and scholar, Sir William Jones, who, in 1783, was appointed a justice of the High Court of Bengal. He began to study Sanskrit and wrote and published his high impression of Sanskrit: “The Sanskrit language, whatever may be its antiquity, is of a wonderful structure; more perfect than the Greek; more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and in the forms of grammar; than could possibly have been produced by accident; so strong, indeed, that no philosopher could examine them all three without believing them to have sprung from some common source which, perhaps, no longer exists; there is a similar reason, though not quite so forcible, for supposing that both the Gothic and the Celtic, though blended with a different idiom, had the same origin with the Sanskrit.”
         Sir William Jones in Asiatic Researches, Vol. I (p. 423)  also asserted the means by which the similarities in many languages, especially of the Indo-European group, is supplied by Sanskrit: “Deonagri [devanagari] is the original source whence the alphabets of Western Asia were derived.”
         Mr. Pococke also relates: “The Greek language is a derivative from the Sanskrit.” 5 The learned Dr. Pritchard also says: “The affinity between the Greek language and the old Parsi and Sanskrit is certain and essential. The use of cognate idioms proves the nations who used them to have descended from one stock. That the religion of the Greeks emanated from an Eastern source no one will deny. We must therefore suppose the religion as well as the language of Greece to have been derived in great part immediately from the East.” 6
         In this way, the idea started that there was a previous language that was the seed of the others, namely Sanskrit, Greek and Latin. They named this imaginary ancestor as Proto-Indo-European, or Proto-Indo-Germanic language. However, they have failed to find this imaginary language for the last 150 years. Plus, they will never find it because there was no such language. Nonetheless, not everyone agreed with this idea that Sanskrit was merely a part of a Proto-Indo-European language.
         For example, even the British scholar Thomas Maurice, editor of the seven volumes of Indian Antiquities, mentions in Volume IV that Halhead, the first European Sanskrit scholar, “seems to hint that it (Sanskrit) was the original language of the earth. All Western scholars who readily apply their mind to the problem will find themselves concurring with Halhead that Sanskrit is the oldest language and that it was spoken all over the world. Other world languages are shattered and twisted bits of Sanskrit.”
         The Great Sanskrit scholar Franz Bopp wrote in his Edinborough Review (Volume 33, page 43): “At one time Sanskrit was the one language spoken all over the world.”
         As the study and interest in Sanskrit grew, there were many scholars and researchers who gave praise to it. In 1777, the French astronomer Bailly figured that the earliest humans had to have been located on the banks of the Ganges. Bailly also once stated, “The Brahmans are the teachers of Pythagoras, the instructors of Greece, and through her the whole of Europe.” 7
         Voltaire also opined, “In short, Sir, I am convinced that everything–astronomy, astrology, metempsychosis, etc.–comes to us from the banks of the Ganges.” 8
         The French naturalist and traveler Pierre de Sonnerat (1782) also believed all knowledge came from India, which he considered the cradle of the human race. 9
         Then in 1807, Schelling, a metaphysician who was well-known in his day, wondered “what is Europe really but a sterile trunk which owes everything to Oriental grafts.” 10
         In 1808, Friedrich von Schlegel argued that “the Northwest of India must be considered the central point from which all of these nations had their origin.” 11  Schlegel, who also helped popularize German interest in Sanskrit, in his study of comparative grammar came to the conclusion that “the Indian language is older, the other younger and derived from it.”
         In 1845, Eichhoff boldly proclaimed that “all Europeans come from the Orient. This truth, which is confirmed by the evidence of physiology and linguistics, no longer needs special proof.” 12  And this, I might add, is before genetics confirmed the same thing.
 In 1828, Vans Kennedy related, “Sanscrit itself is the primitive language from which the Greek, Latin, and the mother of the Teutonic dialects were originally derived.” 13
         Then in 1855, Lord A. Curzon, the British governor-general of India and later chancellor of Oxford, was fully convinced that “the race of India branched out and multiplied into that of the great Indo-European family.... The Aryans, at a period as yet undetermined, advanced toward and invaded the countries to the west and north-west of India, conquered the various tribes who occupied the land.” 14
         Michelet was another that had the opinion that the Vedas “were undoubtedly the first monument of the world”,15 and that India “emanated a torrent of light and the flow of reason and Right.”16 
         Plus, Godfrey Higgins, in his book The Celtic Druids (page 61), writes: “There are many objections to the derivation of the Latin from the Greek. Latin exhibits many terms in a more rude form than Greek. Latin was derived from Sanskrit.”
         The roots of many languages are found in Sanskrit, which some called the mother of all languages, distinguished from the rest by its longevity, stability of form over the many millennia, and showed the status of a sacred language. The fact is that the farther back in time we trace the European languages, the more they begin to resemble Sanskrit. The farther we go back in time, the more we see that European and Vedic culture coalesce.
         Sri Aurobindo observed that Sanskrit is “one of the most magnificent, the most perfect and wonderfully sufficient literary instruments developed by human mind... at once majestic and sweet and flexible, strong and clearly formed and full and vibrant and subtle...” 17
         We can see many Sanskrit words in other languages, or continuations of them in Lithuanian, Russian, or English. In fact, there are many words in Lithuanian that are related to or a part of Sanskrit.  I have already spent a chapter or two of my book Proof of Vedic Culture’s Global Existence comparing Sanskrit with numerous English words, so we will not go into it here.
         One of the reasons why remnants of Sanskrit appear in places around the world, since Sanskrit was the language of early India, or Bharatvarsha, was that people of the region spread or migrated to other parts of the world. Then they named oceans, rivers, mountains, and regions with Sanskrit names. Anybody can see this if they are simply a little educated in it. For example, we can see it in names like Indonesia, Indochina, West Indies, etc., or in other places we have Afghanistan, Baluchastan, Turkasthan, Kurdisthan, Kazaksthan, and Uzbekisthan, all which show the Sanskrit based sthan, and which gives a hint of the past influence of the global Vedic tradition. Looking further, there are also many Sanskrit names in the countries of the Far East and South Pacific.
         Unfortunately, the similarities in languages were used to help support the Aryan Invasion Theory, the idea that Sanskrit and the Vedic culture came into ancient India from outside. But more than anything, it was not that Sanskrit traveled into India, but that it traveled west and was then adopted to varying degrees by others, thus giving way to what had been called the Proto-Indo-European language that was supposed to have pre-dated Sanskrit. Of course, this has yet to be proved, and the idea came about mostly because of the Euro-centric way of looking at things. With new evidence that has come out, we can conclude that there was a westward movement or migration of people out of India that brought Sanskrit with them, which was absorbed into the existing languages of several central and west Asian regions.
         With the advanced nature of the Sanskrit language and alphabet, some feel that, like the traditional source of the Vedas, Sanskrit was given by Divinity to humanity. It could not have been developed by the slow process of a human agency. After all, in the time period in which Sanskrit appeared, mankind was considered by some to be barbarians. But how could such a people, if that is what they were, develop such a refined language like Sanskrit? For such a language to appear, it would have to come from an equally refined and advanced civilization. Otherwise, why, after thousands of years of our advanced scientific civilization, have we not seen a better or more sophisticated language?
         To help substantiate this, we can relate the following quote which appeared in the 1985 spring issue of AI (Artificial Intelligence) magazine, written by NASA researcher Rick Briggs: “In the past 20 years, much time, effort, and money have been expended on designing an unambiguous representation of natural languages to make them accessible to computer processing. These efforts have centered around creating schemata designed to parallel logical relations expressed by the syntax and semantics of natural languages, which are clearly cumbersome and ambiguous in their function as vehicles for the transmission of logical data. Understandably, there is a widespread belief that natural languages are unsuitable for the transmission of many ideas that artificial languages can render with great precision and mathematical rigor. But this dichotomy, which has served as a premise underlying much work in the areas of linguistics and artificial intelligence, is a false one.
         “There is at least one language, Sanskrit, which for the duration of almost 1000 years was a loving spoken language with a considerable literature of its own. Besides works of literary value, there was a long philosophical and grammatical tradition that has continued to exist with undiminished vigor until the present century. Among the accomplishments of the grammarians can be reckoned a method for paraphrasing Sanskrit in a manner that is identical not only in essence but in form with current work in Artificial Intelligence.”
 
         On another level, the ancients and rishis called Sanskrit the language of the gods, or devevani or devabhasha. The script was called devanagari, the script of the gods. And the fact is, the most spiritual of Vedic literature is in Sanskrit. In the Rig Veda, Sanskrit has been called vacho aggram, or the earliest language. It is no doubt the main language used by the great rishis or sages to disseminate the knowledge of enlightenment that had been received by them ever since the time of the universal creation. Sanskrit was able to invoke the spiritual energy of which it speaks, and the vibration for propelling the consciousness to the higher realms it depicts. The great epics and codes of knowledge are all in Sanskrit. Even the great acharyas, like Shankar, Ramanuja, Madhva, Nimbarka, Vallabha, and other poets and philosophers wrote in Sanskrit. Sanskrit stood for at least three millennia, if not much longer, as the carrier of Vedic thought before its dominance gradually gave way to the vernacular dialects that eventually evolved from it as the modern languages of Hindi, Gujarati, Bengali, Tamil, Telugu, Kannada, and so on. 
         There are officially 25 languages in India, along with 33 different languages and 2000 some dialects that are known to be used. In this regard Will Durant relates in Our Oriental Heritage (p. 406): “The Sanskrit of the Vedas and the epics has already earmarks of a classical and literary tongue, used only by scholars and priests; the very word Sanskrit means ‘prepared, pure, perfect, sacred.’ The language of the people in the Vedic age was not one but many; each tribe had its own Aryan dialect. India has never had one language.”
 

SANSKRIT GRAMMAR
 
         The grammar of Sanskrit is also known to be without comparison. Sir William Wilson Hunter wrote in The Indian Empire: “The grammar of Panini stands supreme among the grammars of the world, alike for its precision of statement and for its thorough analysis of the roots of the language and of the formative principles of words. By applying an algebraical terminology, it attains a sharp succinctness unrivaled in brevity. It arranges in logical harmony the whole phenomenon which the Sanskrit language presents and stands forth as one of the most splendid achievements of human invention and industry. So elaborate is the structure that doubts have arisen whether its innumerable rules of formation and phonetic change, its polysyllabic derivatives, its ten conjugations with its multiform aorist and long array of tenses could even have been the spoken language of a people.” 19
         Though we give much credit to Panini for being one of the first if not the first grammarian of Sanskrit, we should still remember that in his writings, Panini himself mentions at least 10 grammarians who preceded him. 18
         Mrs. Manning also relates: “Sanskrit grammar is evidently far superior to the kind of grammar which for the most part has contented grammarians in Europe.” 20
         Mr. Elphinstone agrees in the same way: “His (Panini’s) works and those of his successors have established a system of grammar, the most complete that ever was employed in  arranging elements of humans speech.” 21
         Professor Sir Monier Williams says: “The grammar of Panini is one of the most remarkable literary works that the world has ever seen, and no other country can produce any grammatical system at all comparable to it, ether for originality or plan or analytical subtlety. . .  His Sastras are a perfect miracle of condensation.” 22
         Furthermore, it is known that Sanskrit was a vocal tradition long before it was put into written form. This tends to show that Sanskrit had been existing for many years before Panini, and that Panini may have also existed at a much earlier time period than many people think.
         The fact that Panini listed previous philologists indicates that there had to have been a fully existing language of Sanskrit in ancient India long before he formed his book on Sanskrit grammar. Otherwise, the complex literature could not have been passed down to future generations to continue in such a flawless manner in an oral tradition. Panini did not develop Sanskrit but only compiled the rules of Sanskrit.
         Dr. Cardona, a Professor of Linguistics at the University of Pennsylvania in Philadelphia, a known Panini grammarian, places Panini in the 6th century BCE, but believes that Panini could have been much earlier. In this regard, Count Bjornstjerna, even with what early evidence he could uncover, writes in his Theogony of Hindoos that Hindus possessed written texts of religion before 2800 BCE. So it is likely that it could have been long before then.
         The earliest of glossaries on Vedic words goes back to the Nighantu, written by the ancient etymologist Yaska. Yaska explained that he compiled this based on previous glossaries, the most important of which was the Nighantuka-Padakhyana, which is attributed to Kashyapa Prajapati. Yaksa himself described at least twelve previous etymologists before him. As listed in his Nirukta, it includes Aupamanyava (Nirukta 1.1), Audambarayana (1.1), Varshayayani (1.2), Gargya (1.3), Shakatayana (1.3), Agrayana (1.9), Shakapuni (2.8), Aurnavabha (2.26), Taitiki (4.3), Sthaulastivi (7.14), Kraustuki (8.2), and Kathakya (8.5). So his own commentary, the Nirukta, is based on a long tradition of Vedic Sanskrit, and was a compilation and codification of the etymological knowledge that went all the way back to the pre-historic time of Kashyapa Muni.
         Obviously, Sanskrit was the earliest of developed languages, and no country but ancient India, and no language except Sanskrit can boast of a possession so ancient or venerable. No people but the Hindus, the Vedic Aryans, can show such a sacred heirloom in its history, so high in its grandeur and glory when compared with other languages. The Vedas and Vedic literature, such as the Ramayana and Mahabharata, serve as a beacon of divine light for the onward progress for humanity.
 

THE VEDIC TEXTS
 
         Sanskrit is the foundation of Vedic literature, which is the basis of the Vedic philosophy. The Vedic literature is a complete library for understanding life, the purpose of the creation, how the cosmos manifested, and what is the spiritual identity of the individual soul, Supersoul, and Supreme Being; plus, the relationship between them, and the pathways for directly realizing and perceiving these. This is what is called Sanatana-dharma, the eternal duty of life and the eternal state of being, meaning complete harmony and balance that we should all reach. This is the main purpose of the human form of life according to the Vedic system.
          The original compositions of many of the Vedic hymns were given credit to the early sages or seers, such as Brigu, Angirasa, Marichi, Atri, Vashistha and his brother Agastya, and Vishvamitra. It was Brigu, Angirasa, Marichi, and Atri from whom came the seven rishis (Saptarishis) who became the main lineages or gotras that we refer to today. These consist of: Jamadagni from Bhrigu; Bharadvaja from Angirasa; Gautama from Angirasa; Kashyapa; Vashistha from Marichi; Agastya from Marichi; Atri; and Vishvamitra from Atri. It is said that Bhrigu and his descendants lived in the western part of the Asian subcontinent and Vashistha and Vishvamitra lived in the Sarasvati region. Later, the great sage Vedavyasa compiled it all into written form. (A detailed analysis of the Vedic literature and its numerous books has been provided in a previous book of mine called The Heart of Hinduism. So I will not included that elaboration here.) 
         The point to remember is that the Vedic literature held universal spiritual knowledge. Even the Puranas, which are considered to be the interplanetary histories and elaborations of the spiritual knowledge of the Vedic samhitas, such as the Rig, Sama, Atharva, and Yajur Vedas, are said to be universal in nature. In other words, they were not exclusive to the region of India.
         One little story that can help point this out is how, with the use of the Vedic knowledge, the source of the Nile River was found. The British explorer John Hanning Speke, who in 1862 discovered the Nile in Lake Victoria, acknowledged that the Egyptians themselves did not have any idea of where the Nile’s source was located. However, it was from British Lt. Colonel Wilford’s description of the Hindus’ intimate awareness with ancient Egypt that led Speke to Ripon Falls, at the edge of Lake Victoria. This was outlined in Wilford’s essay on Egypt from the Puranas, called Ancient Book of the Hindus’ Asiatic Researches (Vol. III, 1792). What was also most helpful was that Lieutenant Speke constructed a map based on the information from the Puranas, as described in his book, Journal of the Discovery of the Source of the Nile (1863). He explained, “All our previous information concerning the hydrography of these regions originated with the ancient Hindus who told it to the priests of the Nile; and all these busy Egyptian geographers who disseminated their knowledge with a view to be famous for their long-sightedness, in solving the mystery which enshrouded the source of their holy river, were so many hypothetical humbugs. The Hindu traders had a firm basis to stand upon through their intercourse with the Abyssinians.”
         Thus, the map coursed the river through Kushadvipa, from a great lake in Chandristhan, “Country of the Moon,” while it gave the correct position in relation to the Zanzibar islands. Speke wrote that some Hindu Pundits knew the Nile as Nila and Kaali. The word Nile means blue and Kali means dark, which were appropriate descriptions of the Nile River. Their names are mentioned in some Puranas, including the Bhavishya. This went against the idea of that time because Lake Victoria was unknown then.
         Sir Richard Burton, the leader of the Nile expedition had identified Lake Tangyanika as the source. Speke, however, following the advice of a Benares Pundit insisted that the real source was a much larger lake that lay to the north. By following this advice, Speke was able to discover Lake Victoria and the source of the Nile. The Pundit also told him that the real source were the twin peaks known as Somagiri. Soma in Sanskrit indicates the moon, and giri means hill or mountain. Thus, Somagiri indicated the fabled Mountains of the Moon in Central Africa.
         The wonderful inventive genius and high level of consciousness of the Vedic Aryans enabled them to produce or utilize a language which contributed materially in the creation of a literature that remains unparalleled for richness, sublimity and range. The particular beauty inherent in the language of such intellectual powers were greatly enhanced by the scientific upbringing that had developed into what is now such a model of perfection that it was known as devanagari, or the language of the gods.
         Professor Monier Williams was also highly impressed with the Ramayana. He had written: “Ramayana is undoubtedly one of the greatest treasures in Sanskrit literature.” However, later he went into more detail on his appreciation for it: “There is not in the whole range of Sanskrit literature a more charming poem than the Ramayana. The classical purity, clearness and simplicity of its style, the exquisite touches of true poetic feeling with which it abounds, its graphic descriptions of heroic incidents, nature’s grandest scenes, the deep acquaintance it displays with the conflicting workings and most refined emotions of the human heart, all entitle it to rank among the most beautiful compositions that have appeared at any period or in any country. It is like a spacious and delightful garden, here and there allowed to run wild, but teeming with fruits and flowers, watered by perennial streams, and even its most tangled jungle intersected with delightful pathways. The character of Rama is nobly portrayed... ” 23
         The Mahabharata also was not in want of its western admirers, even from years ago, such as Dr. F. A. Hassler of America, in his letter to P. C. Roy, dated July 21, 1888, which was published in P. C. Roy’s English translation of the Mahabharata: “In all my experience in life, I have not found a work that has interested me as much as that noble production of the wise, and I do not hesitate to say, inspired men of ancient India. In fact I have studied it more than any other work for a long time past, and have made at least 1,000 notes which I have arranged in alphabetical order for the purpose of study. The Mahabharata has opened to me, as it were, a new world, and I have been surprised beyond measure at the wisdom, truth, knowledge, and love of the right which I have found displayed in its pages. Not only so, but I have found many of the truths which my own heart has taught me in regard to the Supreme Being and His creations set forth in beautiful, clear language.”
         The early American ethnologist, Jeremiah Curtin, who also had written to Baba P. C. Roy about his edition of the Mahabharata, also had deep appreciation for what he found within it. He relates in his letter, which appeared in Part XXX of the book: “I have just finished reading carefully from beginning to end, 24 numbers of your translation of the Mahabharata, and can honestly say that I have never obtained more pleasure from reading any book in my life. The Mahabharata will open the eyes of the world to the true character and intellectual rank of the Aryans of India. You are certainly doing a great work... The Mahabharata is a real mine of wealth not entirely unknown, I suppose, at present to any man outside your country, but which will be known in time and valued in all civilized lands for the reason that it contains information of the highest import to all men who seek to know in singleness of heart, the history of our race upon the earth, and the relations of man with the Infinite Power above us, around us and in us.”
 
         This shows the power of Sanskrit and what it has retained through the years, and how it is certainly one of the most powerful and original if not the seed of all other languages. This also shows that it is not a matter of proselytizing, but only a matter of sharing the Vedic knowledge and wisdom with others that will attract numerous people to find that the deeper levels of spirituality that they are looking for is already existing and waiting for them within the texts of the Vedic literature.
 
[Most of this is taken from a chapter from Advancements of Ancient India’s Vedic Culture by Stephen Knapp]
 
CHAPTER NOTES
1. Suresh Soni, India’s Glorious Scientific Tradition, Ocean Books Pvt. Ltd., New Delhi, 2010, p. 199.
2. Kamlesh Kapur, Portraits of a Nations: History of India, Sterling Publishers, Private Limited, 2010, p. 401.
3. Suresh Soni, India’s Glorious Scientific Tradition, Ocean Books Pvt. Ltd., New Delhi, 2010, p. 199.
4. Ibid., p. 200.
5. Pococke, India in Greece, p. 18. 
6. Pritchard, Dr. Pritchard’s Physical History of Man, Vol. I, p.  502. 
7. Jean-Sylvan Bailly, Lettres sur l’origine des sciences et sur celle des peuples de l’Asie, Paris, Freres Bebure, 1777, p. 51.
8. Ibid., 1777, p. 4.
9. Pierre Sonnerat, Voyages aux Indes Orientales et la Chine, Paris, 1782.
10. L. Poliakov, The Aryan Myth, Sussex University Press, London, 1971, p. 11.
11. Friedrich von Schlegel, Uber die Sprache und die Weisheit der Indier, Amsterdam Studies in the Theory and Hindistory of Linguistic Science, Amsterdam, Benjamins, 1977, p.  505
12. E. W. Eichhoff, Vergleichung der Sprachen von Europa und Indien, Schrey, Leipzig, 1845. 
13. Vans Kennedy, Researches into the Origin and Affinity of the Principal Languages of Asia and Europe, Longman, London, 1828, p. 196. 
14. Journal of the Royal Asiatic Society, 16, 172-173.
15. J. Michelet, Bible de l’humanite, Paris, Chamerot, 1864, p. 26.
16. Ibid., p. 485.
17. Pride of India: A Glimpse into India’s Scientific Heritage, Samskriti Bharati, New Delhi, 2006, p. 130.
18. Nicholas Kazanas, Indo-Aryan Origins and Other Vedic Issues, by Aditya Prakashan, New Delhi, 2009, p. 199.
19. Imperial Gazetteer of India, Art, “India”, p. 214. 
20. Ancient and Medieval India, Vol. I, p. 381.
21. Elphinstone’s History of India, p. 146.
22. Monier Williams, Indian Wisdom, p. 172.
23. Indian Epic Poetry, p. 12.