First let us not
give undue publicity to anyone.
Second such
a person needs to be rescued from his penchant to rush to conclusions and
pronouncements with his pseudo knowledge of the subject.
Anyone who
cannot understand and evaluate the art and science of music from its various
dimensions inherently and intrinsically musical per se, and then, study as well
the relevance of lyrics [not music] in/with contextual perspective is not worth
giving importance.
Looking at,
evaluating and interpreting anything with different, varied and newer
perspectives has to emerge and to be encouraged.
However, if
it gets down to mere verbalization depriving the subject matter of its essence
/inherent attribute /intrinsic value then such observations have to be
dismissed.
This is where
sometimes one is forced to go back with humility to refer to certain scholarly
souls who have documented the greatness of many things in proper perspective
unsullied by any personal ideological extrapolation.
One such
work is by a pilot by profession but the depth and bandwidth of his knowledge,
grasping power, understanding and the ability to communicate all of them in a
very poetic and romantic prose as well, is in the works of Guy Murchie.[I am
referring to this author here because of the subject matter music.
In his
wonderful book 'The Seven Mysteries of Life' , [ I have read it at least 10
times ] perhaps the first single book to write about evolutionary biology,
evolutionary sociology, evolutionary psychology, evolutionary linguistic skills
etc. He places music as the ultimate mystery and manifestation of divinity
because it can through its vibrations and frequencies touch the inner chords of
many species.
Similarly,
even to understand what goes on in the mind of a creative music composer cannot
be analysed on a laboratory table through dissection.
The dynamics
of creativity evolve, often even without, beyond and besides the conscious
awareness based attempts of the creative composer.
Sullivan in
his small book on the biography of Beethovan has attempted to make a wonderful
study of the psychology of Beethovan's creative instinct.
Beethoven:
His Spiritual Development by J. W. N. Sullivan
Music is
both Jagath seva and Jaganatha seva.
As Jagath
seva it entertains and engages human emotions and attention and as Jaganatha
seva it re- links the inner self with some superior self /selves/ supramental
realm and for those initiated through religion into devotion -which is nothing
but an obsessively desirous and focused attention and concentrated activity or
thought process with total intensity and intense totality.
Re-link is
Latin Re-ligere from which the word RELIGION relinking of the individual soul
with a universal soul [ Jeevathma with paramathma].
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